3.4 — 20 March 2017

Matthew Olzmann is the author of two collections of poems, Mezzanines, which was selected for the Kundiman Prize, and Contradictions in the Design (both from Alice James Books). He’s received fellowships from Kundiman, the Bread Loaf Writers’ Conference, and the Kresge Arts Foundation. His work has appeared in Kenyon Review, New England Review, Brevity, Southern Review, and elsewhere. He teaches in the MFA Program for Writers at Warren Wilson College.

Valerie Duff is the poetry editor of Salamander. A 2014 VCCA fellow in 2014, her work has recently appeared or is forthcoming in POETRY, The Common, and Cortland Review. Book reviews have appeared in The Wolf, PN Review, The Boston Globe, The Critical Flame, and elsewhere.

A native of Kentucky, Rebecca Gayle Howell is a senior editor for the Oxford American. Her debut poetry collection, Render / An Apocalypse, was a finalist for ForeWord’s Book of the Year. Howell is also the translator of Amal al-Jubouri’s verse memoir of the Iraq War, Hagar Before the Occupation/Hagar After the Occupation. A Library Journal Best Book of Poetry for 2011, Hagar Before the Occupation/Hagar After the Occupation received critical acclaim throughout the U.S., the Middle East, and India and was shortlisted for Three Percent’s Best Translated Book Award. Among Howell’s honors are fellowships from the Fine Arts Work Center in Provincetown and the Carson McCullers Center, as well as a Pushcart Prize. Howell’s latest book, American Purgatory, was selected by Don Share for The Sexton Prize; London’s Eyewear Publishing released the book to both the United Kingdom and the United States in early 2017.

Collier Nogues is the author of The Ground I Stand on Is Not My Ground, selected by Forrest Gander as winner of the 2014 Drunken Boat Poetry Book Contest, and On the Other Side, Blue (Four Way, 2011). Her bilingual, digital collaboration with Hong Kong poets and programmers about the ongoing aftereffects of Hong Kong’s Umbrella Movement launched in June 2016. Her work has been supported by fellowships and grants from the MacDowell Colony, the Ucross Foundation, Vermont Studio Center, and Lingnan University. She teaches creative writing in the Chinese University of Hong Kong’s MA Program in Literary Studies, and is a PhD Fellow at the University of Hong Kong, where she studies contemporary poetry’s response to US militarization. She also co-edits poetry for Juked and curates Hong Kong’s English-language poetry craft talk series.

3.3 — 6 March 2017

Eugenia Leigh is the author of Blood, Sparrows and Sparrows (Four Way Books), the winner of the 2015 Debut-litzer Prize in Poetry. The recipient of fellowships and awards from Poets & Writers Magazine, Kundiman, The Frost Place, Rattle, and the Asian American Literary Review, she received her MFA from Sarah Lawrence College and serves as the Poetry Editor of Hyphen.

Rowan Ricardo Phillips is the author of two volumes of poetry: The Ground (2012) and Heaven (2015), both published by Farrar, Straus and Giroux, as well as the critical volume When Blackness Rhymes with Blackness (2010). He translated, from the Catalan, Salvador Espriu’s story collection Ariadne in the Grotesque Labyrinth (2012). He is the recipient of the PEN/Joyce Osterweil Award, the Great Lakes Colleges Association New Writers Award for Poetry, a Whiting Award, a Guggenheim Fellowship, and the Anisfield-Wolf Book Award for Poetry.

Dante Alighieri’s (1265–1321) epic allegorical poem Commedia later renamed La Divina Commedia, is among the most significant works of Western literature. Dante completed the poem’s three sections, Inferno, Purgatorio, and Paradiso, early in the fourteenth century.

Elizabeth Metzger’s first collection, The Spirit Papers, won the 2016 Juniper Prize and will be published by University of Massachusetts Press in Winter 2017. Her poetry has recently appeared in The New Yorker, Best New Poets 2015, The Iowa Review, and elsewhere. She is the Poetry Editor of the Los Angeles Review of Books Quarterly Journal..

Elia Mauceri was born in 1987, and lives and works between Florence and Dicomano. He graduated from the Accademia di Belle Arti di Firenze under the guidance of Professor Adriano Bimbi. A winner of numerous awards and competitions, Mauceri has been a part of major exhibitions across Italy.

3.2 — 20 February 2017

Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the author of Cannibal (University of Nebraska Press, 2016), winner of the Prairie Schooner Book Prize in Poetry, longlisted for the Dylan Thomas Prize, the PEN Open Book Award, and named one of the American Library Association’s “Notable Books of the Year.” Sinclair is the recipient of a Whiting Writers’ Award, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, fellowships from Yaddo, the Bread Loaf Writers’ Conference and the Fine Arts Work Center in Provincetown, and the Amy Clampitt Residency Award. Her poems have appeared or are forthcoming in Poetry, Kenyon Review, Granta, The Nation, New England Review, Boston Review, TriQuarterly, Oxford American, and elsewhere. She received her MFA in poetry at the University of Virginia, and is currently a PhD candidate in literature and creative writing at the University of Southern California.

Zohra Saed is the co-editor of One Story, Thirty Stories: An Anthology of Contemporary Afghan American Literature (University of Arkansas Press) and editor of Langston Hughes: Poems, Photos and Notebook from Turkestan (Lost & Found, The CUNY Poetics Documents Initiative). Her collaborative poetry chapbook with Sahar Muradi, Misspelled Cities/Falsch Geschrieben, was published for the dOCUMENTA 13 Notebook Series in English/German.Her essays on the Central Asian diaspora and their food history have appeared in Eating Asian America (NYU Press); along with Leila Christine Nadir, she edited Interviews/Essays in “Projects by Afghan American Writers and Artists” for The Asian American Literary Review. She is the co-founder and editor of Brooklyn-based UpSet Press and an Assistant Professor in English at Bard High School Early College, Queens.

Langston Hughes (1902-1967) was born in Joplin, Missouri, and grew up in Kansas, Illinois, and Ohio. In the 1920s, he gained a reputation as a poet, becoming a leading figure in what he called in his first autobiography “the black renaissance.” A prolific poet, prose-writer, and playwright, he served as an example to several generations of African American writers, always lending his support to younger people and new movements in the arts. From 1932-1933, Hughes traveled in the Soviet Union, spending much of his time in Central Asia and returning to the US with several notebooks, hundreds of photographs, and clippings of poems from the Central Asian writers he met there. This trip, along with his work in Spain on behalf of the Republic (featured in Lost & Found Series III), formed major episodes in Hughes’ public political engagement. While popular and known throughout the world, Hughes faced backlash at home. Despite his wishes to see work from this period gathered, these writings and photographs from his trip to the Soviet Union were never published in book form.

Kimiko Hahn is the author of three chapbooks and nine collections of poetry, including Brain Fever and Toxic Flora. Both “Erasing ‘Host Manipulation’” and “The Secret Lives of Planets” are triggered by rarified fields of science in much the same manner th