Contributors

4.4 — 19 June 2017

Melissa Cundieff-Pexa received an MFA in poetry from Vanderbilt. Her poems appear most recently in Ninth Letter, Linebreak, TriQuarterly, and Four Way Review. She lives in St.Paul, MN with her two children.

Theresa Lola is a British Nigerian poet. She was shortlisted for the 2016 Bridport Poetry Prize and 2016 London Magazine Poetry Prize. She is a Barbican Young Poet Alumni and is part of Octavia Collective led by Rachel Long and SXWKS collective. She won the 2017 Hammer and Tongue National Poetry Slam.

Momtaza Mehri is a poet, essayist and meme archivist. Her work has been featured in DAZED, Sukoon, Berkeley Poetry Review, VINYL, and Bone Bouquet. She is a Complete Works Fellow and winner of a 2017 Out-Spoken Poetry Prize. Her chapbook, sugah lump prayer, was published in 2017 as part of the New Generation African Poets series. She also co-edits Diaspora Drama, a digital platform showcasing international immigrant artists.

Ao Kim Ngân (a.k.a. Yatender) is an image-maker based in Saigon, Vietnam.

4.3 — 5 June 2017

Emily Vizzo is a writer, editor and educator whose work has appeared in FIELD, Blackbird, jubilat, North American Review, The Los Angeles Times, Next American City, and other publications. Her essay, “A Personal History of Dirt,” was honored as a notable essay in Best American Essays 2013, and she was selected for inclusion within Best New Poets 2015. Her chapbook, GIANTESS, is forthcoming in 2018 from YesYes Books.

Victoria Kennefick is the author of White Whale (Southword Editions, 2015) winner of the Munster Literature Centre Fool for Poetry Chapbook Competition and the Saboteur Award for Best Poetry Pamphlet. The recipient of the Red Line Book Festival Poetry Prize and a Next Generation Artist Bursary 2016 from the Arts Council of Ireland, her work has appeared in Poetry, Poetry News, Prelude, The Stinging Fly, Poetry Ireland Review, and elsewhere.

Kaitlin Rees was born in Wampsville, and has been commuting between New York and Hanoi since 2011. With Nhã Thuyên she founded  AJAR, a small bilingual publishing press with an online journal and a poetry festival. Her translations of Nhã Thuyên’s poetry have been published in various literary spaces and as a full-length collection, words breathe, creatures of elsewhere (Vagabond Press, 2016). Her ongoing poetic artwork of compiling fragments of an infinite dictionary was exhibited at Zalaegerszeg, Hungary in 2015, and in the hutongs of Shanghai, China in 2016. She is the recipient of the PEN/Heim Translation Grant 2017 for translating A Parade, Nhã Thuyên’s upcoming book of poeticized prose that investigates linguistic questions through the lens of nonsense.

Nhã Thuyên writes, translates, edits books and sometimes organises literary events with friends. She has authored several books of poetry, short fiction and some tiny books for children. Her most recent poetry book, words breathe, creatures of elsewhere (từ thở, những người lạ) was originally published in Vietnamese in 2015. With Kaitlin Rees, she currently co-edits AJAR, a bilingual literary and art journal-press based in Hanoi. Among other projects, she is shaping a book of essays on marginalization in Vietnamese contemporary poetry.

Richard Atrero de Guzman (a.k.a, Bahag) is a Tokyo-based photographer and video journalist whose work has been featured widely in both local and international publications. Travelling extensively for the past eight years, he has been commissioned by core civic institutions like the United Nations and the Drik Picture Library in Dhaka, Bangladesh.

4.2 — 22 May 2017

Khairani Barokka is a writer, poet and artist in London. Among her honors, she was an NYU Tisch Departmental Fellow and Vermont Studio Center’s first Indonesian writer-in-residence, and is a UNFPA Indonesian Young Leader Driving Social Change for arts practice and research. She has presented work extensively, in nine countries, and is the recipient of multiple grants. Okka is co-editor of HEAT: A Southeast Asian Urban Anthology (Fixi 2016) and Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches 2017), author-illustrator of Indigenous Species (Tilted Axis 2016) and author of forthcoming debut collection Rope (Nine Arches 2017). Work is published in Poetry Review, The New Inquiry, Asymptote, and other journals, anthologies and art books. She is a PhD by practice researcher in Goldsmiths’ Visual Cultures Department.

Kathy Fagan‘s fifth collection of poems is Sycamore (Milkweed Editions, 2017). Her first collection, The Raft, won the National Poetry Series; her second, MOVING & ST RAGE, won the Vassar Miller Poetry Prize. Recent work appears in Poetry, Numero Cinq, The New Republic, Blackbird, and The Adroit Journal. Fagan directs the MFA Program at The Ohio State University and serves as Series Editor of the OSU Press/The Journal Wheeler Poetry Prize.

Mary Jean Chan is a poet from Hong Kong. She won the 2016 Oxford Brookes International Poetry Competition (ESL), and has been shortlisted for the 2016 London Magazine Poetry Prize, the 2016 Rialto Open Pamphlet Competition, and the 2016 Resurgence Poetry Prize. Her work has appeared in The Poetry Review, The London Magazine, Callaloo Journal, The Rialto, Ambit Magazine, Bare Fiction Magazine, The Scores: A Journal of Poetry and Prose, Cha: An Asian Literary Journal, QLRS, and elsewhere. As a PhD candidate in Creative Writing (Poetry) at Royal Holloway, University of London, Mary Jean’s article “Towards a Poetics of Racial Trauma: Lyric Hybridity in Claudia Rankine’s Citizen” was recently published in The Journal of American Studies. A former VONA and Callaloo Fellow, Mary Jean is currently a Co-Editor at Oxford Poetry.

Robert Zhao Renhui is a multi-disciplinary artist who received a Bachelor of Arts in Photography from the Camberwell College of Arts in London and a Master of Arts in Photography from the London College of Communication. His work addresses man’s relationship with nature and presents different modes of the human gaze on nature, frequently highlighting how truth is constructed through a false naturalization and manipulation of beliefs. Zhao was the recipient of the United Overseas Bank Painting of the Year Award, Singapore (2009); the National Arts Council Singapore Young Artist Award (2010); and the Deutsche Bank Award in Photography by the University of the Arts London (2011). He was selected to participate in the 2013 President’s Young Talents exhibition at the Singapore Art Museum. His works have been shown widely in Singapore and abroad, including exhibitions at the Fukuoka Asian Art Museum, Japan; the Photo-Levallois Festival, Paris; the GoEun Museum of Photography, Korea and at the Singapore Biennale (2013). These images are from “Singapore, Very Old Tree,” a 30-piece collection on permanent display at the National Museum of Singapore.

4.1 — 8 May 2017

Sujata Bhatt was born in India. She grew up in India and in the USA. Her most recent books from Carcanet are Collected Poems (PBS Special Commendation, 2013) and Poppies in Translation (PBS Recommendation, 2015). She has received numerous awards including the Commonwealth Poetry Prize (Asia) and a Cholmondeley Award. In 2014, she was the first recipient of the Mexican International Poetry Prize, Premio Internacional de Poesía Nuevo Siglo de Oro 1914-2014. Her work has been widely anthologised, broadcast on radio and television, and has been translated into more than twenty languages. She divides her time between Germany and elsewhere.

Hala Alyan is a Palestinian American poet and clinical psychologist whose work has appeared in numerous journals including The Missouri Review, Prairie Schooner, and Columbia Poetry Review. Her poetry collection ATRIUM (Three Rooms Press) was awarded the 2013 Arab American Book Award in Poetry. FOUR CITIES, her second collection, was recently released by Black Lawrence Press. Her latest collection, HIJRA, was selected as a winner of the 2015 Crab Orchard Series in Poetry and was published by Southern Illinois University Press in 2016.

Victoria Adukwei Bulley is a British-born Ghanaian poet, writer and facilitator. A former Barbican Young Poet, her work has been commissioned by the Royal Academy of Arts, in addition to being featured on BBC Radio 4. She was shortlisted for the Brunel University African Poetry Prize 2016, and is one of ten poets on the acclaimed UK mentorship programme, The Complete Works. Her debut pamphlet, Girl B, is part of the 2017 New-Generation African Poets series, edited by Chris Abani and Kwame Dawes. She is the creative director of Mother Tongues, a forthcoming intergenerational poetry, film and translation project supported by Arts Council England and Autograph ABP.

Nguan was born and raised in Singapore. He attended Northwesterm University in Illinois and graduated with a degree in Film and Video Production. Nguan’s photographs are about big city yearning, ordinary fantasies and emotional globalization. His first book Shibuya (2010) was named in PDN Annual as one of the best of the year. His second book, How Loneliness Goes (2013), was called “a masterful color portrait of quiet urban lives” by American Photo. How Loneliness Goes was presented as a solo exhibition at the 2015 M1 Singapore Fringe Festival, and was part of group shows at Para Site in Hong Kong and SFAQ [Project] Space in San Francisco. Nguan’s photographs are in the permanent collection of the Singapore Art Museum (SAM).

3.4 — 20 March 2017

Matthew Olzmann is the author of two collections of poems, Mezzanines, which was selected for the Kundiman Prize, and Contradictions in the Design (both from Alice James Books). He’s received fellowships from Kundiman, the Bread Loaf Writers’ Conference, and the Kresge Arts Foundation. His work has appeared in Kenyon Review, New England Review, Brevity, Southern Review, and elsewhere. He teaches in the MFA Program for Writers at Warren Wilson College.

Valerie Duff is the poetry editor of Salamander. A 2014 VCCA fellow in 2014, her work has recently appeared or is forthcoming in POETRY, The Common, and Cortland Review. Book reviews have appeared in The Wolf, PN Review, The Boston Globe, The Critical Flame, and elsewhere.

A native of Kentucky, Rebecca Gayle Howell is a senior editor for the Oxford American. Her debut poetry collection, Render / An Apocalypse, was a finalist for ForeWord’s Book of the Year. Howell is also the translator of Amal al-Jubouri’s verse memoir of the Iraq War, Hagar Before the Occupation/Hagar After the Occupation. A Library Journal Best Book of Poetry for 2011, Hagar Before the Occupation/Hagar After the Occupation received critical acclaim throughout the U.S., the Middle East, and India and was shortlisted for Three Percent’s Best Translated Book Award. Among Howell’s honors are fellowships from the Fine Arts Work Center in Provincetown and the Carson McCullers Center, as well as a Pushcart Prize. Howell’s latest book, American Purgatory, was selected by Don Share for The Sexton Prize; London’s Eyewear Publishing released the book to both the United Kingdom and the United States in early 2017.

Collier Nogues is the author of The Ground I Stand on Is Not My Ground, selected by Forrest Gander as winner of the 2014 Drunken Boat Poetry Book Contest, and On the Other Side, Blue (Four Way, 2011). Her bilingual, digital collaboration with Hong Kong poets and programmers about the ongoing aftereffects of Hong Kong’s Umbrella Movement launched in June 2016. Her work has been supported by fellowships and grants from the MacDowell Colony, the Ucross Foundation, Vermont Studio Center, and Lingnan University. She teaches creative writing in the Chinese University of Hong Kong’s MA Program in Literary Studies, and is a PhD Fellow at the University of Hong Kong, where she studies contemporary poetry’s response to US militarization. She also co-edits poetry for Juked and curates Hong Kong’s English-language poetry craft talk series.

3.3 — 6 March 2017

Eugenia Leigh is the author of Blood, Sparrows and Sparrows (Four Way Books), the winner of the 2015 Debut-litzer Prize in Poetry. The recipient of fellowships and awards from Poets & Writers Magazine, Kundiman, The Frost Place, Rattle, and the Asian American Literary Review, she received her MFA from Sarah Lawrence College and serves as the Poetry Editor of Hyphen.

Rowan Ricardo Phillips is the author of two volumes of poetry: The Ground (2012) and Heaven (2015), both published by Farrar, Straus and Giroux, as well as the critical volume When Blackness Rhymes with Blackness (2010). He translated, from the Catalan, Salvador Espriu’s story collection Ariadne in the Grotesque Labyrinth (2012). He is the recipient of the PEN/Joyce Osterweil Award, the Great Lakes Colleges Association New Writers Award for Poetry, a Whiting Award, a Guggenheim Fellowship, and the Anisfield-Wolf Book Award for Poetry.

Dante Alighieri’s (1265–1321) epic allegorical poem Commedia later renamed La Divina Commedia, is among the most significant works of Western literature. Dante completed the poem’s three sections, Inferno, Purgatorio, and Paradiso, early in the fourteenth century.

Elizabeth Metzger’s first collection, The Spirit Papers, won the 2016 Juniper Prize and will be published by University of Massachusetts Press in Winter 2017. Her poetry has recently appeared in The New Yorker, Best New Poets 2015, The Iowa Review, and elsewhere. She is the Poetry Editor of the Los Angeles Review of Books Quarterly Journal..

Elia Mauceri was born in 1987, and lives and works between Florence and Dicomano. He graduated from the Accademia di Belle Arti di Firenze under the guidance of Professor Adriano Bimbi. A winner of numerous awards and competitions, Mauceri has been a part of major exhibitions across Italy.

3.2 — 20 February 2017

Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the author of Cannibal (University of Nebraska Press, 2016), winner of the Prairie Schooner Book Prize in Poetry, longlisted for the Dylan Thomas Prize, the PEN Open Book Award, and named one of the American Library Association’s “Notable Books of the Year.” Sinclair is the recipient of a Whiting Writers’ Award, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, fellowships from Yaddo, the Bread Loaf Writers’ Conference and the Fine Arts Work Center in Provincetown, and the Amy Clampitt Residency Award. Her poems have appeared or are forthcoming in Poetry, Kenyon Review, Granta, The Nation, New England Review, Boston Review, TriQuarterly, Oxford American, and elsewhere. She received her MFA in poetry at the University of Virginia, and is currently a PhD candidate in literature and creative writing at the University of Southern California.

Zohra Saed is the co-editor of One Story, Thirty Stories: An Anthology of Contemporary Afghan American Literature (University of Arkansas Press) and editor of Langston Hughes: Poems, Photos and Notebook from Turkestan (Lost & Found, The CUNY Poetics Documents Initiative). Her collaborative poetry chapbook with Sahar Muradi, Misspelled Cities/Falsch Geschrieben, was published for the dOCUMENTA 13 Notebook Series in English/German.Her essays on the Central Asian diaspora and their food history have appeared in Eating Asian America (NYU Press); along with Leila Christine Nadir, she edited Interviews/Essays in “Projects by Afghan American Writers and Artists” for The Asian American Literary Review. She is the co-founder and editor of Brooklyn-based UpSet Press and an Assistant Professor in English at Bard High School Early College, Queens.

Langston Hughes (1902-1967) was born in Joplin, Missouri, and grew up in Kansas, Illinois, and Ohio. In the 1920s, he gained a reputation as a poet, becoming a leading figure in what he called in his first autobiography “the black renaissance.” A prolific poet, prose-writer, and playwright, he served as an example to several generations of African American writers, always lending his support to younger people and new movements in the arts. From 1932-1933, Hughes traveled in the Soviet Union, spending much of his time in Central Asia and returning to the US with several notebooks, hundreds of photographs, and clippings of poems from the Central Asian writers he met there. This trip, along with his work in Spain on behalf of the Republic (featured in Lost & Found Series III), formed major episodes in Hughes’ public political engagement. While popular and known throughout the world, Hughes faced backlash at home. Despite his wishes to see work from this period gathered, these writings and photographs from his trip to the Soviet Union were never published in book form.

Kimiko Hahn is the author of three chapbooks and nine collections of poetry, including Brain Fever and Toxic Flora. Both “Erasing ‘Host Manipulation’” and “The Secret Lives of Planets” are triggered by rarified fields of science in much the same manner th